Notes From The Chinese Room, May 1997
Instantiation And Its Wacky Neighbors
"The alphabet is a construct of fragmented bits and parts which have no semantic meaning in themselves, and which must be strung together in a line, bead-like, and in a prescribed order. Its use fostered and encouraged the habit of perceiving all environment in visual and spatial terms - particularly in terms of a space and of a time that are uniform, c, o, n, t, i, n, u, o, u, s, and c-o-n-n-e-c-t-e-d."
------Marshall McLuhan, 1967
LANGLEY> OUTPUT FILE 0001: Why What You Were Told Cannot Be True
LANGLEY> DISCREPANCY 1: The Reverend, not 4 weeks earlier, murdered
someone allegedly his childe allegedly because that childe was a member
of the Sabbat. This is not consistent with his story of being a Sabbat
member until "recently". Further, even had the so-called "cleansing
process" taken place before his murder of the childe, it seems unlikely
that any person of even vaguely religious convictions with any backbone
whatsoever would choose to commit that murder rather than use the same
"cleansing process" on the childe. CONCLUSION: The Reverend is lying
about at least two things: his motivations and at least one of the
facts.
LANGLEY> DISCREPANCY 2: The Prince stated that this performance
[Langley's own word for it: this characterization appeared nowhere in
the input nodes and was apparently pulled from the hidden node
subcognitive dictionary sequence. -- TAC] was meant to "send a message"
regarding law and order, to some audience which was never directly
specified. There are two conceivable audiences which may in fact
overlap: those physically present and the Sabbat. However, the nature
of the performance was such that no message of any semantic import could
be sent to either group. The physically present audience was inundated
with the trappings of childishness and immaturity: there is therefore no
reason to believe that the Prince cared in the least what people who
were actually present thought of the performance. Further, those not
present could only receive the interpretations of those who were
present, so there is no evidence to suggest the Prince cared in the
least what they thought either, a conclusion contradictory to his
earlier statement that he was attempting to "send a message". There is
another possibility: that the performance itself was a signal to
conspirators physically present or present by proxy, and therefore had
solely syntactic content. This possibility is partly supported by the
clearly inadequate nature of the Prince's preparation to deal with
eventualities that he must have known would arise. CONCLUSION: The
Prince either lied about his motivations in setting up the performance,
is signalling co-conspirators for reasons unknown, is incompetent, is
insane, wishes us to believe he is incompetent, or wishes us to believe
he is insane.
Dr. T. Craydon
"My car and my adding machine understand nothing. They are not in that line of business." -----John R. Searle
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